Suspenseful summer reads: Voices of the Dead by Peter Leonard
Hess had no idea where he was. He had been driving west on Pennsylvania Avenue, and now was somehow on K Street. He regretted stopping at the gentlemen’s club but he’d needed several drinks to calm him down, he had been so charged up, so high on adrenalin.
To the right was a sign for Lafayette Park, and he realized he was traveling in the wrong direction. The White House was somewhere south through the trees. He tapped a cigarette out of his pack and lighted it with a match, steering the big Mercedes-Benz with his knees. He was drunk, the white line dividing the road, blurring into two. He closed one eye to correct his vision.
Hess brought the cigarette to his mouth, but it slipped through his fingers. He fumbled, tried to catch it with dulled reflexes, cigarette dropping in his lap, falling to the floor. He glanced down, saw it and reached to pick it up, but it rolled toward the accelerator pedal. He looked up now, approaching an intersection, red traffic light sending an alarm to his brain, foot going for the brake pedal, but too late.
He slammed into an automobile, hitting it broadside with serious impact, crushing it, pushing it through the intersection. Hess was conscious of his head striking the steering wheel, the Mercedes spinning, crashing into a storefront. He heard voices and the high-pitched whine of a radiator under pressure, the sound of a siren some distance away, and saw faces staring at him through the windows.
Detroit, 1971. Harry Levin, scrap metal dealer and holocaust survivor, learns that his daughter has been killed in a car accident. Travelling to Washington DC, he’s told by Detective Taggart that the German diplomat, who was drunk, has been released and afforded immunity; he will never face charges. So Harry is left with only one option - to discover the identity of this man, follow him back to Munich and hunt him down.
The first of a two-hander, Peter Leonard’s new novel is a classic cat-and-mouse thriller. Told with swagger, brutal humour and not a little violence, it follows a good man who is forced to return to the horrors of his past.
Read the introduction to the US edition by Peter Leonard’s father Elmore Leonard
The US cover treatment:
